Trail of Light, Light Rails, 2024
24 x 19.75 inches each (frame size 28-3/8 x 24) Walnut
Monotype, Akua, Fabriano Rosaspina 220 gsm paper
Discarded paper strips, left-over relics of the making process, are repurposed into impromptu arrangements that echo themes found elsewhere in my work: the beauty of rust-colored surfaces, natural cycles of growth and decay, and the liveliness and energy of found artefacts brought back to life in a new context. The antithesis of a careful composition, these pieces are the product of a freeing and spontaneous moment in making.
Impulse and Sudden Impulse, 2024
24 x 19.75 inches each (frame size 28-3/8 x 24) Walnut
Monotype, Akua, Fabriano Rosaspina 220 gsm paper
Discarded paper strips, left-over relics of the making process, are repurposed into impromptu arrangements that echo themes found elsewhere in my work: the beauty of rust-colored surfaces, natural cycles of growth and decay, and the liveliness and energy of found artefacts brought back to life in a new context. The antithesis of a careful composition, these pieces are the product of a freeing and spontaneous moment in making.
Uninhibited and Devil-May-Care, 2024
24 x 19.75 inches each (frame size 28-3/8 x 24)
Monotype, Akua, Fabriano Rosaspina 220 gsm paper
Discarded paper strips, left-over relics of the making process, are repurposed into impromptu arrangements that echo themes found elsewhere in my work: the beauty of rust-colored surfaces, natural cycles of growth and decay, and the liveliness and energy of found artefacts brought back to life in a new context. The antithesis of a careful composition, these pieces are the product of a freeing and spontaneous moment in making.
Capricious, 2024
24 x 19.75 inches (frame size 28-3/8 x 24)
Monotype, Akua, Fabriano Rosaspina 220 gsm paper
Discarded paper strips, left-over relics of the making process, are repurposed into impromptu arrangements that echo themes found elsewhere in my work: the beauty of rust-colored surfaces, natural cycles of growth and decay, and the liveliness and energy of found artefacts brought back to life in a new context. The antithesis of a careful composition, these pieces are the product of a freeing and spontaneous moment in making.
Unruly, 2024
24 x 19.75 inches (frame size 28-3/8 x 24)
Monotype, Akua, Fabriano Rosaspina 220 gsm paper
Discarded paper strips, left-over relics of the making process, are repurposed into impromptu arrangements that echo themes found elsewhere in my work: the beauty of rust-colored surfaces, natural cycles of growth and decay, and the liveliness and energy of found artefacts brought back to life in a new context. The antithesis of a careful composition, these pieces are the product of a freeing and spontaneous moment in making.
Uproarious, 2024
24 x 19.75 inches (frame size 28-3/8 x 24)
Monotype, Akua, Fabriano Rosaspina 220 gsm paper
Discarded paper strips, left-over relics of the making process, are repurposed into impromptu arrangements that echo themes found elsewhere in my work: the beauty of rust-colored surfaces, natural cycles of growth and decay, and the liveliness and energy of found artefacts brought back to life in a new context. The antithesis of a careful composition, these pieces are the product of a freeing and spontaneous moment in making.
Va-Va-Voom, 2024
24 x 19.75 inches (frame size 28-3/8 x 24)
Monotype, Akua, Fabriano Rosaspina 220 gsm paper
Discarded paper strips, left-over relics of the making process, are repurposed into impromptu arrangements that echo themes found elsewhere in my work: the beauty of rust-colored surfaces, natural cycles of growth and decay, and the liveliness and energy of found artefacts brought back to life in a new context. The antithesis of a careful composition, these pieces are the product of a freeing and spontaneous moment in making.
Wild, 2024
24 x 19.75 inches
Monotype, Akua, Fabriano Rosaspina 220 gsm paper
Discarded paper strips, left-over relics of the making process, are repurposed into impromptu arrangements that echo themes found elsewhere in my work: the beauty of rust-colored surfaces, natural cycles of growth and decay, and the liveliness and energy of found artefacts brought back to life in a new context. The antithesis of a careful composition, these pieces are the product of a freeing and spontaneous moment in making.
Madcap, 2024
24 x 19.75 inches
Monotype, Akua, Fabriano Rosaspina 220 gsm paper
Discarded paper strips, left-over relics of the making process, are repurposed into impromptu arrangements that echo themes found elsewhere in my work: the beauty of rust-colored surfaces, natural cycles of growth and decay, and the liveliness and energy of found artefacts brought back to life in a new context. The antithesis of a careful composition, these pieces are the product of a freeing and spontaneous moment in making.
Mercurial, 2024
24 x 19.75 inches (frame size 28-3/8 x 24)
Monotype, Akua, Fabriano Rosaspina 220 gsm paper
Discarded paper strips, left-over relics of the making process, are repurposed into impromptu arrangements that echo themes found elsewhere in my work: the beauty of rust-colored surfaces, natural cycles of growth and decay, and the liveliness and energy of found artefacts brought back to life in a new context. The antithesis of a careful composition, these pieces are the product of a freeing and spontaneous moment in making.
At Loose End, 2025
16 × 12 inches
Monotype, Akua, Fabriano mounted on panel
Discarded paper strips, left-over relics of the making process, are repurposed into impromptu arrangements that echo themes found elsewhere in my work: the beauty of rust-colored surfaces, natural cycles of growth and decay, and the liveliness and energy of found artefacts brought back to life in a new context. The antithesis of a careful composition, these pieces are the product of a freeing and spontaneous moment in making.
Unhidged, 2025
12 × 12 inches
Monotype, Akua, Fabriano mounted on panel
Discarded paper strips, left-over relics of the making process, are repurposed into impromptu arrangements that echo themes found elsewhere in my work: the beauty of rust-colored surfaces, natural cycles of growth and decay, and the liveliness and energy of found artefacts brought back to life in a new context. The antithesis of a careful composition, these pieces are the product of a freeing and spontaneous moment in making.
Unraveling 1, 2025
10 × 10 inches
Monotype, Akua, Fabriano mounted on panel
Discarded paper strips, left-over relics of the making process, are repurposed into impromptu arrangements that echo themes found elsewhere in my work: the beauty of rust-colored surfaces, natural cycles of growth and decay, and the liveliness and energy of found artefacts brought back to life in a new context. The antithesis of a careful composition, these pieces are the product of a freeing and spontaneous moment in making.
Unraveling 2, 2025
16 × 16 inches
Monotype, Akua, Fabriano mounted on panel
Discarded paper strips, left-over relics of the making process, are repurposed into impromptu arrangements that echo themes found elsewhere in my work: the beauty of rust-colored surfaces, natural cycles of growth and decay, and the liveliness and energy of found artefacts brought back to life in a new context. The antithesis of a careful composition, these pieces are the product of a freeing and spontaneous moment in making.
Coming Undone, 2025
6 × 6inches
Monotype, Akua, paper mounted on panel
Discarded paper strips, left-over relics of the making process, are repurposed into impromptu arrangements that echo themes found elsewhere in my work: the beauty of rust-colored surfaces, natural cycles of growth and decay, and the liveliness and energy of found artefacts brought back to life in a new context. The antithesis of a careful composition, these pieces are the product of a freeing and spontaneous moment in making.