Antimatter 4, 2018 (prints available)
Encaustic, Oil
24 x 24 inches

The Dark Matter/Antimatter series evokes the nanoscopic aspect of the world around us, which at some point transitions from the visible and the material into an invisible field of energy – one than may ultimately be unobservable and must therefore remain imagined. Black wax and white wax are excavated and the excavations filled with pigment, to evoke many things at many different scales, from the microscopic scale of a biological cell to the cosmic scale of an exploding supernova.

Antimatter 5, 2018 (prints available)
Encaustic, Oil
20 x 20 inches

The Dark Matter/Antimatter series evokes the nanoscopic aspect of the world around us, which at some point transitions from the visible and the material into an invisible field of energy – one than may ultimately be unobservable and must therefore remain imagined. Black wax and white wax are excavated and the excavations filled with pigment, to evoke many things at many different scales, from the microscopic scale of a biological cell to the cosmic scale of an exploding supernova.

Dark Matter 9, 2018
Encaustic, Oil
20 x 20 inches

The Dark Matter/Antimatter series evokes the nanoscopic aspect of the world around us, which at some point transitions from the visible and the material into an invisible field of energy – one than may ultimately be unobservable and must therefore remain imagined. Black wax and white wax are excavated and the excavations filled with pigment, to evoke many things at many different scales, from the microscopic scale of a biological cell to the cosmic scale of an exploding supernova.

Dark Matter 6, 2018 (sold)
Encaustic, Oil
24 x 24 inches

The Dark Matter/Antimatter series evokes the nanoscopic aspect of the world around us, which at some point transitions from the visible and the material into an invisible field of energy – one than may ultimately be unobservable and must therefore remain imagined. Black wax and white wax are excavated and the excavations filled with pigment, to evoke many things at many different scales, from the microscopic scale of a biological cell to the cosmic scale of an exploding supernova.

Dark Matter 8, 2018
Encaustic, Oil
20"x20"

The Dark Matter/Antimatter series evokes the nanoscopic aspect of the world around us, which at some point transitions from the visible and the material into an invisible field of energy – one than may ultimately be unobservable and must therefore remain imagined. Black wax and white wax are excavated and the excavations filled with pigment, to evoke many things at many different scales, from the microscopic scale of a biological cell to the cosmic scale of an exploding supernova.

Dark Matter 2, 2018 (prints available)
Encaustic, Oil
18 x 18 inches

The Dark Matter/Antimatter series evokes the nanoscopic aspect of the world around us, which at some point transitions from the visible and the material into an invisible field of energy – one than may ultimately be unobservable and must therefore remain imagined. Black wax and white wax are excavated and the excavations filled with pigment, to evoke many things at many different scales, from the microscopic scale of a biological cell to the cosmic scale of an exploding supernova.

Dark Matter 4, 2018 (sold)
Encaustic, Oil
24 x 24 inches

The Dark Matter/Antimatter series evokes the nanoscopic aspect of the world around us, which at some point transitions from the visible and the material into an invisible field of energy – one than may ultimately be unobservable and must therefore remain imagined. Black wax and white wax are excavated and the excavations filled with pigment, to evoke many things at many different scales, from the microscopic scale of a biological cell to the cosmic scale of an exploding supernova.

Dark Matter 01, 2017 (sold)
Encaustic, Oil
8 x 8 inches

The Dark Matter/Antimatter series evokes the nanoscopic aspect of the world around us, which at some point transitions from the visible and the material into an invisible field of energy – one than may ultimately be unobservable and must therefore remain imagined. Black wax and white wax are excavated and the excavations filled with pigment, to evoke many things at many different scales, from the microscopic scale of a biological cell to the cosmic scale of an exploding supernova.

Antimatter, 2018 (sold)
Encaustic, Oil
24 x 24 inches

The Dark Matter/Antimatter series evokes the nanoscopic aspect of the world around us, which at some point transitions from the visible and the material into an invisible field of energy – one than may ultimately be unobservable and must therefore remain imagined. Black wax and white wax are excavated and the excavations filled with pigment, to evoke many things at many different scales, from the microscopic scale of a biological cell to the cosmic scale of an exploding supernova.

Threading of Thick Woods, 2017 (sold)
Encaustic, Oil
24 x 50 inches

Ecco 12, 2018
Encaustic, Oil
8 x 8 x 1.75 inches

Threading of Thick Woods - test, 2017 (sold)
Encaustic, Oil
12 x 9 inches

Sail, 2014 (sold)
Encaustic, oil
24 x 24 inches

Chalk Weave, 2013 (sold)
Encaustic, Oil
16 x 24 inches

Line Weave, 2013 (sold)
Encaustic, Oil
20 x 16 inches

Crossover, 2017 (sold)
Encaustic, Oil
18 x 12